ROBERT DASSANOWSKY is Professor of German and
Film Studies at the University of Colorado at Colorado Springs and
Visiting Professor at UCLA. He is a co-founder of the International Alexander
Lernet-Holenia Society and the Austrian American Film Association, and works as
an independent film producer. In addition to his duties at PSR, he serves on
the editorial boards of Osiris (USA) and Rampike (Canada), and is the author/editor
of several books including Telegrams from the Metropole: Selected Poems 1980-1998
(Poetry Salzburg, 1999).
Read more about Robert Dassanowsky on our homepage.
EUGENE DATTA is a Calcutta-based writer whose poetry, fiction, essays and book reviews have appeared in West Coast Line, Poetry Bay, Richmond Review, The Statesman and elsewhere. He is currently working on a novel.
CARL DAVIS is a poet and fiction writer. Originally trained as a visual artist, he moved in 2004 from the southwest to the north of England to study English and Creative Writing at the University of Salford. "Red Shift" and "Destination Flow" are part of Phase, a series of poems written at university.
PATRICIA V. DAWSON, a British poet, is also a sculptor and printmaker with work in many public collections including The British Museum and La Bibliotheque Nationale, Paris. Her poetry collections, The Kiln, The Forge, Reliquaries and Wet Leaves (2002) have been published by Hub Editions.
MARK DeFOE is professor of English at West Virginia Wesleyan College. He has published three books, the most recent being AIR (Green Tower Press, 1998). His work has also appeared in Paris Review, Poetry Ireland Review, Poetry Durham, Malahat Review, Sewanee Review and many others. One of his poems was a winner in The Atlanta Review's 2000 International Poetry Competition.
INGRID DE KOK studied in South Africa and Canada and works at the Center for Extra-Mural Studies at the University of Cape Town. She edited (with Karen Press) a collection of essays on South African culture and literature entitled Spring Is Rebellious: Arguments about Cultural Freedom (Buchu Books, 1990) and was advisory editor of World Literature Today's 1996 issue “South African Literature in Transition”. She has published four collections: Familiar Ground (Ravan Press, 1988), Transfer (Snailpress, 1997), Terrestrial Things (Snailpress / Kwela Books, 2002), and Seasonal Fires: New and Selected Poems (New York: Seven Stories; Umuzi: Random House, 2006).
SANTIAGO DEL DARDANO TURANN was born in 1968 in Cincinnati, Ohio, and now lives in San Francisco, California. He has had blue-collar jobs all his life and does not have a college degree. His work has appeared in Write On!, The Flask Review, Autumn Leaves, and Silent Actor.
PETER DENT was born in Forest Gate, London, but has spent most of his life in Surrey and Devon. A teacher for twenty years, he is now retired. He was the Editor/Publisher of Interim Press from 1975-1987. With others he has translated from the Sanskrit and Urdu. His books include Simple Geometry (Oasis Books, 1999), At the Blue Table (Blackthorn Press, 1999), Settlement (Leafe Press, 2001), Unrestricted Moment (2002), Adversaria (2004, both Stride), and Handmade Equations (Shearsman, 2005).
D. M. DE SILVA translates German poetry and produces original verse as well as critical prose. He has published specimens of his work in all three areas in a number of issues of The Poet's Voice and PSR, including a translation of Stefan George's Year of the Soul, as well as in various British journals.
STEPHEN DEVEREUX was born and grew up in Beccles, Suffolk, where he worked on farms and in factories until going to the University of East Anglia, after which he completed research at Manchester University. Since then he has lectured and taught in Manchester and Liverpool. His poetry has been published in Candelabrum, Envoi, Poetry Nottingham, The Interpreter's House, Coffee House Poetry, and Purple Patch.
PETER DE VILLE, who is English despite the name, started a career as an industrial chemist but decided to break and take a degree in English. He now works as a university lecturer in Italy. He also writes short stories, articles, plays, has completed a novel and has had poetry published in over 50 magazines, including The North, The Rialto, Chapman, and Other Poetry. He is also a translator and has done into English work by Umberto Eco and - for Envoi and Modern Poetry in Translation - the poetry of Giorgio Caproni. A collection of his poetry, Open Eye, was published by Tuba Press in 2003.
JOHAN DE WIT's most recent publications include Hippototescopo (West House, 2000) and Monkey and Tiger (Kater Murr’s Press, 2004). He lives in London.
BRIAN DOCHERTY was born in Glasgow, now lives in north London. Widely published in magazines & anthologies. First collection, Armchair Theatre (Hearing Eye, 1999).
KEVIN DONNELLY was born in 1976 and lives in Gloucestershire where he works as a teacher. His work has been published in Psychopoetica, Decanto, Carillon, and Bard.
WILLIAM DORESKI's work has most recently appeared in Notre Dame Review, The Alembic, Natural Bridge, Barrow Street, and South Carolina Review. He has published a critical study entitled Robert Lowell's Shifting Colors (Ohio UP, 1999) and a collection of poetry, Sacra Via (Tatlock, 2005).
THEO DORGAN is a poet, broadcaster on radio and television, translator, editor and documentary script writer. His most recent books are Sailing for Home (Penguin, 2004), an account of sailing from the Caribbean to Ireland, and Songs of Earth and Light, translations of the Slovenian poet Barbara Korun (Southword Editions, 2005).
GARY DUEHR lives in Boston, where he works as a photographer and visual arts critic. His collections of poetry are Winter Light (Four Way Books, 1999) and Where Everyone Is Getting To (St. Andrews College Press, 1999). Journals in which his poetry has appeared include Agni, American Literary Review, Hawaii Review, Iowa Review, Southern Poetry Review, and Texas Review.
LAURIE DUGGAN, born in Melbourne in 1949, has taught media, art history and cultural studies and is currently an Honorary Research Advisor in the Australian Studies Centre at the University of Queensland and Writer-in-Residence in the School of Arts, Media and Culture at Griffith University, Brisbane, Australia. He has published eleven books of poems together with a critical work, Ghost Nation: Imagined Space and Australian Visual Culture, 1901-1939 (UQP, 2001). His most recent books of poems are: Mangroves (UQP, 2003), The Ash Range, Compared to What: Selected Poems 1971-2003 (both Shearsman, 2005), Let's Get Lost (with Pam Brown and Ken Bolton) (Vagabond, 2005).
AIDAN ANDREW DUN spent his childhood in the West Indies and returned to London as a teenager. His first epic poem, Vale Royal, a psychogeographical journey into the mysteries of the historic King Cross district of London, was published in 1995 by Goldmark. A second epic, Universal, was published by Goldmark in 2002. He lives in London and Gloucestershire and divides his time between writing poetry and composing music.
ANDREW DUNCAN (co-)edits Angel Exhaust. He has published many collections of poetry, among them Cut Memories and False Commands (Reality Studios, 1991), Alien Skies (Equipage, 1993), Skeleton Looking at Chinese Pictures (Waterloo Press, 2000), Pauper Estate, Switching and Main Exchange (both Shearsman, 2000), and Anxiety Before Entering a Room: Selected Poems 1977-99 (Salt, 2001).
ALAN DUNNETT is Course Director of a screen-oriented MA Performance at Drama Centre London, which is part of Central St Martins College of Art & Design. A former theatre director, he has more recently worked at Central School of Speech & Drama and the Royal Scottish Academy of Music & Drama. Poems have appeared in several magazines, including Stand, The Interpreter's House, Pennine Platform, Other Poetry, Orbis, Envoi and The Rialto.